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I’ve just returned from a week’s artists residency on Tresco. I think this is around the 17th time I’ve visited! My son is 15 and he first came with me on the helicopter when he was 6 months old.

Our flight was delayed by a day due to poor visibility. We are quite used to this as February seems to be a misty month here. The flight takes around 20 minutes from Penzance. I’m not the happiest flyer so this time I took a tiny bit of knitting, earplugs and rescue remedy to take my mind off things…

As soon as we landed I felt instantly relaxed, there’s something about Tresco which has that effect. I think it’s the lack of people and traffic and the sense of being surrounded by sea and sky.

We stayed at Dial Rocks, a light an airy cottage with sea views. Our days were spent cycling around the island, beach combing for driftwood and periwinkles and sketching in situ. I still can’t remember the names of any of the beaches or bays despite visiting so often!

Our flights were delayed on the return journey too, so we ended up staying a whole week which was gorgeous and meant we could enjoy a few more bike rides in the mizzle.

I’m looking forward to working on new floral paintings for Gallery Tresco in the next few months.

Here are a few originals from last year which are available to buy through the gallery.

In 1984 I watched a documentary on the fashion course at St Martins and I knew that’s where I wanted to go. I left school at 15 and spent 2 years at Bournemouth and Poole College of Art and Design before being accepted for the 4 year Fashion Design sandwich course at St Martins. The third year of the course was spent working in the industry. I was chosen to go to New York and work for 3 months in a textile design studio creating prints for womenswear. So far so good….
Unfortunately my life took a drastic downward spiral in my final year and looking back I can’t believe I managed to endure the course and graduate. My mum became very ill with cancer and I was in the throes of anorexia. I went backwards and forwards from London to Dorset seeing my mum at weekends and struggled with minimal energy and enthusiasm to focus on creating my final collection in order to achieve a BAHons.

Mum insisted that I continue with college… it was so hard. On the day of my final collection (a fashion show where the final years students show their work) my dad rang to say that mum had died. I had to block it out in order to get through. I was really in a very bad way and existing with a powerful eating disorder was only making things worse.

As a result, when I look at the photos of my collection I feel disconnected as I can only remember sadness, tiredness and intense difficulty.

I used furnishing fabrics, hessian and calico for the garments and designed screenprints in a limited palette from my cutout designs. The inspiration was American Indian tribal motifs for the prints and workwear inspired clothes including aprons which I’ve always loved.

I’m settling in to day 3 of Cornwall Open Studios. So far I’ve had a total of 7 visitors including my lovely neighbour and my son’s dad!!I hoped to catch up on a bit of reading during the lulls but I’m finding it hard to concentrate as the door could open at any given moment with potential buyers or browsers. I’m actually spending a lot of time gazing out of the window and day dreaming which is very relaxing and apparently good for the mind.

I managed a refreshing swim in the Jubilee Pool this morning with my son before opening which was a wonderful start to the day. And I’m aiming to do the same tomorrow. I made banana bread yesterday afternoon whilst anticipating visitors and completed a small painting of a whippet as a gift for a friend. So weirdly I’m getting things done although it feels as if I’m just hanging around!

Usually when I reach Day 4 I’ve acclimatised and I’m in the swing of it! If you happen to be in Penzance then do visit, I have a good selection of colourful and joyful work on display downstairs in my house and upstairs in my tiny home studio. Everyone is welcome including dogs!

54 High St, Penzance, TR18 2SU

I tend to work from life, making initial sketches which are later worked up into finished pieces. I use a black biro or pen and colour up with a handy set of stacked watercolour paints bought from the Tate shop. Sometime I’ll be happy with the sketch but it just won’t work as a painting and I’ll use artistic license if needed once I’ve got going on the canvas. I generally use Cryla acrylic paints which are good and opaque and thicker than others.
Occasionally I’ll use oils.
I draw in sketch books or on pieces of photocopying paper attached to a hot pink clipboard if I’m out and about. My sketchbooks live in both of my studios and are ideal to flick through if I’m struggling for ideas, however this is rare as I can’t get through a day without seeing something I’m keen to paint!

My striped tablecloth appears frequently in my work!

One of my favourite local places to visit is the Barbara Hepworth Museum and Sculpture Gardens, St Ives. I tend to visit several times a year as it’s a mere 20 minutes drive from Penzance. Originally the home, studio and gardens of Dame Barbara Hepworth it feels as if she’s just stepped out for a moment. The gardens are tranquil and verdant, punctuated by her powerful sculptures. I love the little chalet with a simple bed and stack of striped garden chairs. And the gorgeous conservatory with cacti, geraniums and vintage chairs is a prime spot for taking great photos, there’s something special about the natural light.

Over the years I’ve created several paintings and monotypes inspired by my many visits…

Over the last couple of weeks I’ve made a start with creating a few pieces inspired by my Easter visit to Charleston. I’m squeezing these in in between work commitments for various galleries and I’m aiming to make more as and when I can. There’s so many things I want to paint in life that it’s hard not to lose focus and move on to something else which has caught my eye.
I’m also aiming to paint a few blank panels around my house which are asking for a Charleston make over. We’ll see how that goes…

I’ve listed these 3 on my online shop along with a few more new pieces. Take a look!

During the Easter weekend I visited Charleston, the gorgeous home of Vanessa Bell and Duncan Grant. It was so inspiring! Beautiful paintings everywhere and all surfaces adorned with hand painted motifs and imagery. I feel I need to go again as it’s impossible to take it all in. I was hoping make some sketches in situ but felt that I may never leave as there’s a huge amount to draw….

The house tours are organised so that there’s only a few people in each room at a time meaning you can stand back and admire pieces without bumping into other each plus it’s easier to take photos without random strangers ruining the composition.

I went with 3 of my sisters and we all loved it! There’s also a gorgeous cafe on site and an exhibition currently showing the work of Betty and George Freedman and Hylton Nel.
And a shop which is well worth a browse.

I’m planning to make a small series of paintings inspired by my Charleston experience. Here’s one that I created as soon as I returned to Cornwall. More to follow in the next few weeks…

I’m obsessed with Tresco and fortunately I’ve had the wonderful opportunity to visit for many years thanks to the artist’s residency with Gallery Tresco. I’ve just returned from spending 5 days there with my son. We would have had longer but the fog scuppered a couple of days travel which tends to be a common occurrence during the colder months. This year we stayed in Reading Room Cottage, a few minutes amble from the pub, shop and pool.
Our days were spent walking around the island, sketching, and enjoying a dip in one of the indoor swimming pools. I relish the simplicity of our quiet visits to Tresco as I’m used to living in the middle of a town with bustle.

Every day I collected different wild flowers to draw and use as starting points for a new collection of originals for the gallery. I’m currently really enjoying painting flowers so I thoughts I’d continue with this thread for a while longer.

p.s I’ve used my non dominant hand for the script on my sketches and I’m loving the effect!

I spent many years working at home either in my bedroom, kitchen or sitting room. And although I adapted well I often thought it would be amazing to have a proper studio- an airy and bright, white room. For the past few years I’ve working in a small room at home which was originally my son’s bedroom but he’s now in the attic enjoying views of St Michaels Mount…. when he bothers to open the blind. Last year the opportunity came up to rent a space above a gallery just down the road from my home. I’ve been there now for almost year and swing between my bijou space at home and my studio down the road. It feels very luxurious to have the 2 options. I achieve more when I’m down the road plus I have the added joy of making coffee with Coffee Mate which has elevated elevenses.

There’s something so fresh and sophisticated about a simple blue and white palette. Looking through my work it’s a recurring theme for both prints and paintings. For me it’s reminiscent of the South of France, a place which frequently informs my work having visited many years ago on a family holiday. The feel of it has never left me.

Here’s a selection, some of which are available from my online shop